After MAAT, Live Over Lisbon and Live Over Porto, our homecoming needed a room no one had seen. We found it beneath Tomás Taveira’s Olaias station: a brutalist space for nearly 2,000 people, with windows onto the passing trains, never opened to the public. Live Under Lisbon brought our immersive 360° live show and more than eight hours of music we curated.
For years every show had its own PDF roadbook. Recently, we replaced them with tour.mxgpu.net: one page per show, shared section by section.
Primavera Sound Porto asked for a floating show over a live audience. On 13 June 2026 we closed the main stage from a cage hanging off a crane, 7 metres above the crowd.
On 25 July 2026 we played Yard at sunset, our first festival show without a lighting structure above us. The venue, the lighting, a new song and ‘take me home’ right as the sun went down.
setlist.mxgpu.net is where we build, share and print our setlist. One page on screen, one A4 sheet on paper, the same numbers for everyone on stage.
The idea was simple: skip the stage and hang the whole show from a crane over the river. Was it easy? Not really. Was it possible? We had to find out. Live Over Lisbon is a 45-minute video concert, filmed at dawn in a single take on a platform suspended above the Tejo, with music from our debut album Sudden Light.
Ableton’s Input/Output series on how we write, how we play and what runs underneath. Our short version, with a link to the full piece.
When Moullinex and GPU Panic began merging their live sets, the new project needed a visual language. The Royal Studio found it on our stage.
We wanted a T-shirt that felt like us, so we went to the people who make it. Then we set up between the sewing machines and played at the factory.
